FRESH DIRT: Scott
Nicholson's Journal 9-12/03
December 30, 2003
Dr. Seuss is one of my
favorite authors (though I've avoided the Cat in the Hat
movie like it's Ebola). My daughter got three of the
animated books on video, and "The Butter Battle
Book" is hilarious. The story itself is a wonderful
satire of militaristic societies, but the video goes a
step beyond, with spoofs of patriotic music, cheerleaders
and march songs. A definite work of genius, along with
"The Lorax," which probably spawned a whole
generation of environmentalists.
I'm finishing up
Dale Bailey's new novel "The House of Bones." I
usually don't make recommendations of books by modern
authors, but this is a good one. Next, I think I'm going
to slide back into some Southern Gothic like Carson
McCullers and Erskine Caldwell. I've been hearing about
an author named Daniel Woodrell who writes something
described as "trailer park noir," so I
definitely need to track some down.
December 26, 2003
The U.S. mad cow case is
bringing back some of the old food supply bugaboos,
reminding me of how fragile life is and how small risks
get blown out of proportion by the media. I spent a
couple of days researching it for a newspaper article,
and part of it was really scary stuff. I'm not ready to
go back to being a vegetarian (which I was for a few
years in college), but I'll probably be looking for even
more ways to trim my beef consumption. While I think the
government has been fairly forthcoming with reports, I'm
troubled by some of their admissions. The mad cow disease
is basically caused by feeding infected cows back to
cows, and though it's an outlawed practice, not every
beef manufacturer complies. Only 20,000 cows are tested
each year (out of about 40 million or so that go to the
slaughterhouse) and "downer cows," ones that
are so sick they can't stand up, are allowed to enter the
food system. I'm also troubled that the U.S. Department
of Agriculture is serving as both the regulatory agency
and the government apologist, even sending agents to
Japan to beg them to buy our tainted meat. Some of you
may remember the wonderful conflicts of interest that
arose when the Nuclear Regulatory Commission was
simultaneously monitoring plant safety while also
promoting the wonderfulness of split atoms. The only good
thing to come of this whole thing is the phrase
"downer cows."
December 22, 2003
The weekend signing with
Dale Bailey went well. He sold out of one of his
books and I sold out of The Red Church, and there were
just a few of our other books left when we were done. We
were able to apply the double-guilt trip so that most
customers bought one from each of us. We're doing a joint
event in Hickory NC in February and will probably do a
few others down the road.
I did one of my mad
Christmas shopping dashes, buying most of my presents in
one spree. I don't enjoy shopping that much. I'd much
rather spend a day in the woods than a day at the mall. I
just learned today that I won first place in a North
Carolina Press Association contest. It's my fourth press
award. Maybe someday if I give up writing, I'll make a
pretty decent reporter.
December 18, 2003
I'm signing at the local
mall with writer Dale Bailey on Saturday, trying to see
if two heads are worse than one or if we'll merely cut
each of our potential sales in half. Dale just released
"House of Bones" and a story collection and got
a rave review in the Charlotte Observer. He's an anomaly
for a writer these days-- he doesn't have a website,
doesn't hang out on message boards, and doesn't go around
calling himself the next Stephen King. All he does is
write extremely well.
What I'm reading:
just finished Mary Higgins Clark's "We'll Meet
Again" on audiotape, very well-plotted; a David
Bowie bio I'd read a couple of years back; an early Dean
Koontz novel, "The Vision" (even back then he
had a gift for building suspense); and just finished
"The Fog" by James Herbert, who is often
considered the British Stephen King. Pretty good story
and not as obtuse as a lot of British fiction. Next I
think I'll read Dale's story collection, since a lot of
the entries have been nominated for one award or
another..
December 15, 2003
If you'd like to get a
taste of my home ground, my friend Marie Freeman has
photos up at her Blue Ridge blog. Marie is my "official"
photographer, and I'm lucky enough to get her to do my
publicity shots. We work at the same newspaper, and she
wins press association awards every year. Look at her
pictures and you can see why.
I've been examining
the royalty statement for my first novel and I'm pleased
and a bit awed by the number of people who bought
"The Red Church." The rate of returns is
relatively high (unlike in most industries, books are
bought wholesale more or less on a fully returnable
basis; a good portion of them get returned at the end of
90 days if they don't sell). I've heard the industry
average for return of mass market paperbacks is 50
percent, though it seems hard to believe that only half
sell. If that's true, I'm doing a good bit better than
that. The print run also must have been larger than the
publisher originally indicated. The other satisfying
thing was that the three book clubs sold almost as many
hardcover copies as were sold in paperback. The book club
royalty varied depending on the club and category, and
since that was a subright (my publisher gets half the
money), I didn't get a detailed breakdown of sales. All
in all, it still feels unreal that so many strangers read
something I put down on paper a few years ago. And it's
also unreal how very far beginning midlist writers like
me are from the rarefied heights of the bestseller lists.
December 12, 2003
No wonder our kids are
emotional basket cases. My three-year-old was watching
Teenage Mutant Ninja Turtles on network TV this morning
at around nine. A commercial came on, featuring a teen
boy at a party smoking dope. He then gets the girl to hit
the pipe and reaches out to unbutton her blouse. Cut to a
shot of the pipe on the table, voice over of girl
half-heartedly murmuring "No." Then some corny
graphic like: "Marijuana. It clouds your
judgment." Right after that, a commercial uses a
child's drawings to illustrate girl finding a gun in a
drawer, then the girl's friend is shown with a lot of red
crayon swirls across her dress, then cut to the last
picture of the perp herself, with black scribbles all
over it. And the voice kicker: "I hate me."
These commercials
do not educate children. They do not communicate to their
target audience, which is presumably young children. They
not only fail, they fail in the worst kind of way. These
are obviously the products of adults who think that their
"sophisticated" scare tactics will instantly
turn their three-year-olds into world-wise young adults.
I would be surprised if anyone involved in these goofy
productions even had a child. I resent my tax
dollars being wasted on this kind of disinformation.
Potential teen dope smokers are not up at nine a.m.
watching network cartoons, and if they are, they are
smoking dope and laughing at stupid commercials that
insult them. Kids who find loaded guns in drawers are
most emphatically not to blame if that gun goes off.
Target these idiotic commercials to the brainless people
who care whether Joe Average Millionaire marries the Fear
Factor Survivor and leave my child alone. Thank you.
December 9, 2003
Saving the English
language: Okay, I have never used "task" as a
verb.When copyediting the newspaper I work for, I always
cross it out and make the reporter come up with a better
option. While dictionaries say that "task" can
be a verb, that use implies that some great burden goes
along with it. Thus, I would accept on principle
"Sisyphus was tasked with pushing a great
stone," but not "Sisyphus was tasked with
taking out the garbage." Either way, it's lazy and
pompous writing. Better to write, "Sisyphus had to
push a great stone" or "Mrs. Sisyphus told her
husband to get off his lazy rump and take out the
trash." Don't even get me started about the rampant
use of "gift" as a verb. The one golden and
inflexible rule of writing: always serve the reader and
communicate as clearly as possible.
December 6, 2003
I've been plagued lately
by one of the great metaphysical questions of our time:
just how long is a New York minute? Is it long because
New Yorkers are rushed and busy and therefore get a lot
done? Or short, because because they spend a lot of time
standing in line or stalled in traffic? Or is New York
like a black hole that warps time by ever-greater factors
the closer one gets to the center? I would be
disappointed if it equaled 60 seconds. That wouldn't be
right, somehow.
I just received
word that I would be getting a royalty check soon for
"The Red Church." Since most books don't earn
back their advances, I'm pleased at the news. And extra
money is always welcome around the holidays.
December 1, 2003
Wow, the last week sure
flew by fast. There's a review of "The Harvest"
at Eternal Night and one probably coming soon to SFSite. I'm doing some preliminary thinking on
the next novel. There were a couple of others I was
thinking about but this one seems to have a little more
persuasive hold over me at the moment. While I probably
won't get too deeply into it until I finish what I'm
working on, the title and idea intrigue me.
There's always a
temptation for a writer to compare himself or herself
with other writers who might be considered their peers.
In my case, at least in the manner in which I'm currently
marketed, that would be other horror writers. While a
whole new and exciting crop of them have popped up like
mushrooms in a radioactive cow pasture, I can't find any
way to compare them to me or to each other. I don't read
a whole lot of modern genre fare, though I try to sample
widely. My head would do a Linda Blair spin-around if I
tried to keep up with all the new books coming out, so
I've contented myself with dropping in on a few message
boards like Shocklines, Horror World and HWA to get my fix. Sometimes the exchanges
get a little vitriolic and juvenile (news shocker: the
same percentage of writers are jerks as in the population
at large), but there's no lasting damage because there's
not much there to damage. One of my readers made the
insightful observation that the horror audience is
"deep but not wide," meaning you won't find
many fans on the street corner but you might at a college
or library. They lurk in all fringes and even the heart
of the mainstream, and that's where you have to go to
find readers.
I can't speak for
other writers, but I have no desire to be the
"next" Stephen King or Dean Koontz. While their
successes are well-deserved and enviable, the truth is
that all writers must create their own roads and discover
their own journeys of the soul. And then put it down on
the page. Stephen King can't tell my story for me. Dean
Koontz would never focus the warped lenses through which
I view reality. Shirley Jackson is dead but she still
can't understand me. This path is lonely, frustrating,
and, in the end, the work is never done and the tales are
never all told. That's the pity, and that's the joy. I
hope all writers feel that way, because it is an
exhilarating freedom from comparisons of worth, sales,
readership size, or money. I'll win my race because I'm
only competing against myself.
November 24, 2003
The new Literary Guild
catalog featured "The Harvest" again on their
"bestselling thrillers" page. Little do they
know! They pitched it as "For fans of Bentley
Little." I haven't quite figured out their
strategy-- whether they feature books they're desperate
to get rid of or books that they think their customers
will like. I think the guild has a good presentation for
it, playing up the main character's psychic abilities
instead of the "evil force" thing favored by
the publisher. I guess they both know the audiences they
are going after, so I just have to trust their judgment.
As if I could do anything about it if I didn't.
The new project is
ripping along nicely, about 1,000 words a day. Mostly I
just want to get it done and move on. It's going to take
some major work down the road and I think it will need to
sit on the shelf until spring. Winter always gets me in
the mood for something cold and depressing, anyway.
Reading: "The Lost and the Lurking" by Manly
Wade Wellman and "We'll Meet Again" by Mary
Higgins Clark.
November 23, 2003
I'm more or less
officially finished with "The Harvest" tour,
besides a Dec. 20 Christmas signing in the local mall
with author Dale Bailey. All in all, it was very
satisfying, though I don't think I signed as many copies
this time around. However, I got way more books in the
stores, and a decent amount of publicity, and the stores
report that the copies sold well both before and after
the events, so I can call it a success on those fronts.
Most writers don't care when or where you buy the book,
as long as you try it. I haven't tallied the miles for
this tour yet, but maybe around tax time I'll know how
much this cost me. I met some really cool people along
the way, and even a few people who called themselves
"fans" of my work. That is amazing to me, and
very humbling.
The NPR show will
air during the second week in December. I'll try to track
down specific stations and times later. I'm also a chat
guest at Biting Dog Press on Dec. 6 at 9 PM EST. My HWA chat a
month or two back was a lot of fun, so I hope you'll stop
by and cyberize with me.
November 21, 2003
Our live panel last
night went wonderfully. About 30 or 40 people were in the
audience, and the panelists included Sharyn McCrumb, Lila
Hopkins, Charles Price, and me. The theme was loosely
centered around Appalachian fiction. The hour-and-a-half
show was being taped by Radio South, which produces
"The Spoken Word." The edited segment will air on 39
NPR stations in the south during the second week in
December. We each had to read a few pages. I was a little
nervous, since I had to read first, but by the second
sentence I was able to slip into the character of Chester
Mull, my old mountain farmer from "The
Harvest." All the panelists were witty, especially
Sharyn, and I got a few laughs myself for my unorthodox
views on Appalachia. It was especially satisfying to be
able to talk about hillbilly stereotypes in an
intelligent forum.
I marked out the
dirty words from the excerpt I read, then gave Sharyn that copy since she blurbed the book.
She has just signed with my publisher for two books, and
her next project is really neat, though it won't be out
until 2005.
November 18, 2003
It's a frightfully foggy
night here, and with the black bones of trees outlined
against the gray wall of nothingness, I'm in the mood to
hit the keyboard for some spooky stuff. The Southern
Appalachians have had a mild autumn so far. We have a ski
season and a Christmas tree industry, so winter doesn't
really save us from tourists.
I'm preparing for a panel that will be taped live before
an audience on Thursday, then aired on NPR's "The
Spoken Word." The organizer wants us all to get
together for lunch and plan what we're going to talk
about. I told her I've been on a number of panels and
have never rehearsed, and most worked out well. Oh, well,
it seems this is the way these things are supposed to be
done. I also have to go through and find a PG-13 excerpt
to read on the air.
November 13, 2003
While I consider myself
a staunch defender of the English language (to the point
that I'll never use "impact" or
"gift" as a verb), I think I'm ready to
surrender. Watching the national news last night, a
report on war polls came up with a box that read "Do
Iraqi's want the U.S. to leave?" Now I suppose
"Iraqi's" might appear as a possessive form
somewhere, such as the "The average Iraqi's idea of
freedom is George W. Bush the heck out of his life."
And it might appear as a contraction for "Iraqi
is," such as "This Iraqi's willing to accept
the blame for 9/11, even though he doesn't deserve
it." But there's no way to wrangle
"Iraqi's" into the form used on the televised
poll box. I wonder how many millions of Americans saw the
handiwork of that news staffer who failed to master
elementary school grammar and usage before going on to
the propaganda mills. I also wonder how many
impressionable minds saw that usage, assumed it was
correct because "It can't be wrong if they show it
on TV," then went out the next day and committed
their own apostrophe catastrophes.
However, the
all-time record holder for egregious misuse belongs to my
local pharmacy store. Marked in expensive, die-cut
letters, the store has a special section devoted to
"hearing aid's."
November 11, 2003
I started to type a rant
about how I hate the novel I'm working on and that I
should toss it out and start a new one, but I've usually
tried to keep my bad news, rejections, general bummers,
etc, to a public minimum. I'm not sure whether my goal is
to present an optimistic face of success to the world or
if I'm afraid that I'll start noticing the sheer mass of
my mistakes and failures. The only reason I haven't quit
this novel is that I'm determined not to be a quitter,
because anytime you give up once it gets much easier to
do so the second time. There's some quote somewhere to
the effect that "Hard work provides long-term
gratification but laziness provides gratification right
now."
Aw, shucks, things
aren't that bad, anyway. I've resigned myself to the fact
that this novel probably won't get published so I'm free
to just have some fun and play with it. But I need to get
it done before Christmas so I can go on to a couple of
other things. I know "The Harvest" just came
out but it already seems so long ago and I'm fighting a
feeling of waiting around to see what happens next. As a
self-diagnosed control freak, such a condition spells
D-A-N-G-E-R.
November 8, 2003
Recent reads: Cat
Chaser by Elmore Leonard and The Regulators
by Richard Bachman. About to start: The Man in the
High Castle by Philip K. Dick and Scaredy Cat
by Mark Billingham.Watched "Sling Blade" last
night, a wonderful, wonderful movie. I've always thought
Billy Bob Thornton was overrated, but between this movie
and his singing with Warren Zevon, he's okay in my book.
Elmore Leonard has
some great, concise and witty writing advice at his site. A few of you may know I'm
working on a book about writing, with a ten-year plan,
figuring I need to have at least 10 books out first so
people can pretend I know what I think I'm talking about.
I can't quite put my thoughts into the pure form that
Leonard uses here, but we have similar philosophies.
Basically, any time you start feeling like a
"writer," you should push yourself away from
the keyboard and start thinking like a human being again.
November 6, 2003
Perhaps you've followed
the flap over the Ronald Reagan miniseries that CBS
dropped like a hot potato after being criticized by the
Republican Party. Living proof that the "liberal
media" is an absolute myth, and I say this as a
journalist of 10 years' experience. Apparently the
fictionalized history offended some because the writers
put words in Reagan's mouth for conversations to which no
one was privy but him and Nancy. Yet CBS (and all the
other stations) will run the "true story" of
Pvt. Jessica Lynch, who admits she can't remember hardly
anything of her terrible ordeal. The mistakes of history
are created not by history repeating itself, but by
historians.
For the record:
Reagan came in on a wave of optimism that helped pull the
United States out of a recession. He also circumvented
the Constitution by selling weapons to our friends in
Iran, pushed the country into record deficits even as
people like Neil Bush (the current president's brother)
plundered billions in savings and loan scandals that the
taxpayers had to clean up, ended up with the most corrupt
cabinet in history, and joked on a live microphone that
"We're bombing Russia in five minutes." For
those who want to credit Reagan's militaristic stance
with knocking down the Iron Curtain, that credit should
be shared with all administrations of both parties dating
back to Eisenhower, as well as the strong allies in
Europe that we've now lost. Sure, all this could have
happened just as easily if a Democrat had been president,
and for the record, I'm not a Democrat. But I lived
through the 1980s once and I don't want to do it again
via television. Anybody who expects the media to be
motivated by anything other than profit is delusional
anyway.
November 2, 2003
Saw the movie
"Dreamcatcher" yesterday on video and I was
very disappointed. I haven't read the novel and I
probably won't now. I'm listening to the Richard Bachman
book "The Regulators" and I like the concept
behind it. It's fairly gory but there's plenty of
characterization as usual with King. Also reading the Al
Franken liberal-fest "Lies and the Lying Liars Who
Tell Them" and still working on Stewart O'Nan's
"The Night Country." I'll be revising a short
story tonight, one that has been sitting around for a
while. I've been way too slack with my short stories
lately. I used to write at least one per month in
addition to my novels but I've only written three this
year, plus one novella.
October 30, 2003
A lot of my friends
think Halloween must be my favorite time of year since I
often use supernatural elements in my writing. I think
what I most enjoy about the holiday is the elemental,
primordial freedom that others embrace. It's a day (and
night) for dress-up and pretend, a time of masks and
celebration. That hearkens back to ancestral instincts
regarding fire and mystery, tribal dances, superstition
and the fear of unseen forces. Cool. To me, every day is
Halloween, because this whole universe is nothing short
of magical and wondrous and a bit fear-inspiring. The
lines between the alleged real and the absolute
impossible are so thin as to be invisible.
I did a radio
interview yesterday (to air Friday) and the show host
read a few sections from The Harvest, taking care to point out the literary
merits of some of my sentences. It was a really nice
feeling, since I tend to think of myself more as a
storyteller than a writer. Of course, genre fiction is
often considered a subliterary form, something for the
unwashed masses. My feeling is that I'm happy to see
people reading anything, period. I don't care if it's the
backs of cereal boxes, comic books, camera instructions,
or recipes for exotic mixed drinks. I'll be co-hosting a
college radio show in the morning, and some of you have
given me great suggestions for Halloween-themed songs. I
hope the station has a good library so I can get some of
them on the air.
October 26, 2003
My three-day book tour
blitz was exciting, with some special moments along the
way. Best of all was going to Henderson NC to speak to
some high school students, who were inquisitive and
curious and whose teacher had been reading them stories
from Thank You For The Flowers during the week. These
students rekindled my faith that young people are still
interested in reading and will someday make the world a
better place. I sold 44 books there, and I hope I created
a new generation of fans as well as inspiring those among
them who want to be writers. In Chapel Hill, I met a
woman whose nephew is now in the Philippines but who
attended Appalachian State, the same as me. She is going
to send him one of my books. Presenting at the Triad
Writers Workshop on Saturday was a bunch of fun. I'm
sometimes unconvinced about the benefits of workshops,
but this one was relaxed and featured a lot of really
bright people who had a genuine desire to learn and
succeed. It was refreshing for me and got me excited
about my own work. I hope to do more of these workshops
in the future. I did my "Whose Story Is It?"
workshop and did presentations on promotion and the
business of writing.
October 21, 2003
I was checking
FictionWise to see which of my stories they have posted
for download and saw that "Murdermouth" was the
best-selling horror eBook. It probably will have sunk by the time
you read this, but it's always nice to get even a brief
moment under the spotlight (unless your pants are down
and teenage girls are laughing at you). I did an
interview this morning that will air on WNCW on Thursday, a station with four
translators that gets good overage in the Carolinas. Got
the new David Bowie CD "Reality" and I'm
enjoying it. He also has some great art for sale. Maybe
someday when I'm rich I'll buy one of his cheap prints
(starting around $300). I'd like to be a painter when I
get old but right now I hope at least one of these
numerous career changes pays off before I die. So far,
writing has been the most successful and natural, so I
reckon I'd better stick to it.
October 19, 2003
My interview on Sci Fi Overdrive will air in the wee hours tomorrow (or
early morning of you live on the West Coast). It's
scheduled for the fourth hour which starts at 5 a.m. EST.
Okay, okay, nobody wants to get up that early to listen
to the show live on the Internet or one of the 23
stations in the Business Talk network. So just wait a
week and catch it at Cosmic Landscapes.
I'm looking forward
to finishing up these book signings. This coming week is
probably the "peak," since I'm taking two days
off work to go to the Piedmont, though I have a few
events in November. Despite my love of book signings, I
think next year I'm only going to do a dozen, then try to
really maximize publicity for those. All in all, it's
been a different sort of tour this year (though mine
aren't really "tours" in the usual sense of the
word since it's a number of single, unconnected stops
more than anything). More on that after it's over.
Reading:
"Bringing Out The Dead" by Joe Connelly,
"The Night Country" by Stewart O'Nan, and
"The Fog" by James Herbert.
October 16, 2003
A discussion on book
reviews, or rather the vociferous and relentless attacks
of a few unhappy people, came up on the Horror Writers
Association message board a few days ago. The consensus
seemed to be that every writer has received bad reviews
at some time or another and that most people endure them
with good grace. However, there is concern that the
Internet has ramped up strident people's ability to mount
personal attacks disguised as criticism, especially in
situations where the person remains anonymous, as is the
practice on many message boards and online bookseller
sites.
My take on it is
that bad reviews are the same as rejection slips. You get
through the bad ones and they become insignificant over
time. The good ones should be taken with the same grain
of salt, because the writer is often perfectly aware of a
book's flaws. Reviews are pretty much removed from the
writer's daily battle with the keyboard, and though a few
well-placed reviews have the power to boost sells by a
fraction, word of mouth and bookstore enthusiasm carry
far more weight. Essentially, reviews are the waste
product of the industry, created after the entire work
has gone through the digestive system of the publishing
industry. They often come too late to have any real
effect on a book's prospects, which are pretty much
determined by the time a publisher puts an offer on the
table. A bad review of a book that receives a six-figure
advance is not going to cause the publisher to pull back
its advertising campaign. A great review for a lower-tier
genre slot book is not going to lift it into the
stratosphere of the New York Times Review of Books.
My own personal
belief is that a great number of the unsupported and
ill-informed anonymous reviews on places like Amazon.com
are the sad work of pathetic failed writers. Who else
really cares enough to go out of their way to diminish
themselves even as they desperately try to inflate egos
that are as gap-riddled as gut-shot balloons? If these
bitter tarts put half as much creativity and energy into
their writing as they did in crafting their needling,
whiny insults, maybe they'd feel a little better about
themselves.
October 12, 2003
The Frightfest event at
Lazy Lion Bookstore in Fuquay-Varina, NC, was a howling
success. Michael Jasper, Drew
Williams and I got to
meet some true-blood horror fans and had some fun signing
skulls and posters. The store had a story contest as
well, giving away some cool prizes such as the
aforementioned skull. Michael is not only a gifted writer
in his own write (John Lennon pun), but he also edited a
new anthology called Intracities that has a powerful
line-up, with people like Tim Pratt, Jay Caselburg and
Jason Erik Lundberg. Drew is author of the vicious novel
"Night Terrors." Both of them teach writing as
well.
Got a write-up
and review
in the Durham Herald-Sun, one of the larger dailies in
the state. My interview with Sci Fi Overdrive will be taped on Tuesday and air between
2 a.m. and 6 a.m. on Oct. 20.
October 8, 2003
Having an inquisitive
three-year-old keeps you on your toes, especially when
you don't want to be a liar. Recently my daughter has
been on a serious spiritual search, or at least asking
obvious questions that are difficult to answer. Such as
"Does God wear shoes?" and "Are there
chairs in heaven?" Other favorites include an
explanation of exactly how angels transport people to
heaven and whether or not God needs to sleep. Since I'm
not a theological bigot, I try to answer in a fair-minded
and general way, since my own beliefs are of a
non-personified god, a uniting energy. However, since my
daughter has been christened in the Catholic church, I
have to make room for those beliefs as well. If I had to
pick a religion to live and die under, I would choose
Taoism, but of course it's more of a philosophical system
and has the disadvantage of a lack of ritualism and no
nifty relics or manuals to purchase. My general take on
organized religion is that I wish more people would try
to live under the tenets to which they allegedly
subscribe. "Do unto others" may sound a little
corny but it's a cornerstone of most major religions.
October 3, 2003
We had our killing frost
last night, and though most of my tomatoes were already
gone, my green peppers expired even as they were still
blooming. I've already started a big compost heap in the
center. I picked a nice little garden spot this year and
it produced beyond my wildest dreams. I hope to expand it
next year, and also begin letting much of the back yard
go to meadow and forest. With development starting to
encroach upon our property, and a bulldozer parked in the
field next door, I want to build as much of a buffer as
possible, so I can at least pretend to be far removed
from civilization. This plan remains in effect until we
can make our move to the country and get a farm.
Local elections are
coming next week, and though I'm just outside the town
limits and can't vote, it will be interesting to see
whether voters go for candidates who favor the protection
of neighborhoods or candidates who favor private property
rights. All I know is that I am never in my life voting
for any candidate who is a Realtor, developer or
bulldozer operator. Even the strictest zoning laws, at
least in my experience, still overwhelmingly favor the
rights of individuals over the rights of the general
public. While I'm a libertarian in spirit and philosophy,
individualism taken to its extreme is nothing more than
pure selfishness.
October 1, 2003
Strange things happen
when you make yourself available. Because my signing
scheduled for Raleigh on Oct. 11 was moved to Durham
since the Barnes & Noble community relations manager
transferred, my publicity efforts in Raleigh were
undermined. But the move led a reporter for the Durham
Herald-Sun to write a feature that will run the day
before my signing. His wife invited me to speak to a
nearby school during my next stop in the area, with
accompanying media coverage. From tiny acorns mighty oaks
grow, or at least sickly saplings.
I look forward to
taking a break this weekend and maybe going camping.
Tomorrow, I have to testify before a local zoning board
about a condo development near our house. It's been an
interesting process, and my experience in journalism has
helped me build my case. My job has many invisible
benefits, not the least of which is having an excuse to
meet a wide variety of strange characters whom I can meld
into my fiction.
My interview on the
Dragon Page show will air on BookCrazy Radio on Oct. 2 (the entire six-hour show
cycles through four times that day) and then on
VoiceAmerica on Oct. 4. It also runs on several small AM
stations.
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